Things to do in Sydney today

It's been almost 27 years since a certain bespectacled boy came out from under the stairs and learnt of his snake-conversing, broomstick-flying, billions-making powers. And he's as popular now as ever, spawning films, spin-off films, toys, games, apps and multiple stage adaptations – only one of which is, well, actually authorised. Whether you missed Melbourne’s record-breaking four-year run of Harry Potter and the Cursed Child, or you’re just looking to fill the void, Potterheads are in for a treat.  Who wants to sit through six hours of theatre anyway? Potted Potter – the hilarious show that condenses the entirety of the Harry Potter series into a tight 70 minutes – is ready to reunite Aussie audiences with the antics of Harry, Ron and Hermoine. (We are assuming show creators Daniel Clarkson and Jeff Turner glide over a lot of the endless camping that takes up an enormous amount of Deathly Hallows.)  The show has been touring for more than 15 years, and has even played Off Broadway and on the West End. Returning to Australia for the fifth time, the tour will kick off at the Canberra Theatre Centre from April 4–7 before heading to Sydney’s Seymour Centre from April 12–21, and finishing up at Melbourne’s Athenaeum Theatre from April 24–May 5. So go on, relive Harry's days at Hogwarts. And although the show wasn't written by You Know Who, what it lacks in intellectual property compliance it more than makes up for in laughs. We're pretty sure Fred and George Weasley would appro

What would you do if you were struggling to afford to pay your rent, gas, and electricity bills, only to discover that you’ve been priced out of paying for basic groceries too? When the quick-witted Antonia (the prolific actor Mandy McElhinney – who, yes, is also “Rhonda” from those insurance ads) and her fellow weary housewives discover that prices at the local supermarket have doubled overnight, their shopping run erupts into a revolt. The women begin to loot – or, as Antonia would describe it, “liberate” – food off the shelves. When the excitement is over, Antonia finds herself back home with a random assortment of fruits and vegetables, dog food (she doesn’t own a dog), canary pellets (she doesn’t own a canary) and rabbit heads. She enlists the help of her neighbour Margherita (Emma Harvie) to hide the stolen goods from her moralist husband Giovanni (Glenn Hazeldine), a staunch unionist who’s a stickler for rules and due process. The supermarket riot sets a ripple effect of absurdity in motion, ranging from a briny phantom pregnancy with added  “womb olives”, to an unconscious cop with a flatulence problem – and that’s just the highlights.  ...simultaneously leaves you wheezing from laughter and slightly deaf from the roars of others No Pay? No Way! is two hours and twenty minutes of comedic gold. Marieke Hardy’s laugh-out-loud political satire initially premiered with Sydney Theatre Company in February 2020, before it was plagued by lockdowns. But with the way that the

The Harbour City does a good line in immersive light experiences, and if you can’t wait until Vivid takes over the city later in May, Luna Park is here to help. The iconic attraction’s newest installation – Sonic Neon – will be opening to the public from Saturday, April 13, and tickets are on sale now. Housed in Crystal Palace – a building which dates all the way back to 1935 – Sonic Neon will take visitors on a journey through six different rooms, with state-of-the-art visuals and a layered soundscape creating a transportive experience. Illuminating more than 150 metres of the historic building, the experience will feature more than 26,000 lights set to a pulsating soundtrack using state-of-the-art technology that’s never been used before in Australia. Tickets to the event are available now, and first release ticket holders will be afforded access to what Luna Park has described as a “secret zone”. Details about this mystery “Blacklight Dessert Bar” are thin on the ground, but Luna Park has confirmed: “Visitors will be able to purchase glow-in-the-dark desserts including custom treats by Sydney’s famous Tokyo Lamington along with glowing fairy floss and soft serve ice cream.” The experience will run daily from 10am for approximately four months, though the exact end date is yet to be announced. Tickets for the self-guided Sonic Neon experience (estimated to take around 30 minutes) start at $29 per person, and the first month of tickets are on sale now. If you’re keen to secu

Ray is a farmer. Ray is dying. Ray is falling in love. Ray has had a tough year. Ray mourns his wife. Ray meets his wife. Ray doesn’t want to live in a nursing home. Ray’s kids don’t understand him. Ray doesn’t understand why the world won’t let him live his life. Ray, played with impressive physicality and nuance by veteran actor Colin Friels, is the central figure of Into the Shimmering World – a new work commissioned by Sydney Theatre Company that makes the intimate epic, seesawing back and forth in time but remaining locked in space. The main arena of conflict is the family farm that Ray and his wife, nurse Floss (fellow veteran Kerry Armstrong) have run their entire adult lives. It’s a hard existence, but a rewarding one, contending with droughts, floods, fluctuating markets, and unruly neighbours (one dubbed “The Crook” remains an unseen presence, but a constant source of grievance).  Written by 2020 Patrick White Playwrights Fellow Angus Cerini and directed by STC’s Director of New Work and Artistic Development Paige Rattray, Into the Shimmering World is a study of Australian masculinity – as were the previous works in Cerini’s Australian gothic trilogy, The Bleeding Tree and Wonnangatta. In many ways this play is a study of stoicism, its strengths and its limitations. The laconic Ray meets every challenge with a resigned determination that borders on fatalism, an attitude that has served him well for decades. But the sons his work put through university don’t want to

For many of us, our first introduction to The Rocky Horror Show involved a beaten up VHS tape and an exhilarating brew of conflicting feelings about Tim Curry’s iconic fishnet-stocking-clad role as Frank-N-Furter – the cross-dressing mad scientist alien from Transsexual, Transylvania. Beyond its immortalisation in the cult classic 1975 film, this rollicking rock’n’roll musical has been continuously on a stage somewhere in the world ever since it premiered to a small London audience in 1973 – and while today’s slick mainstage productions are a far cry from its grungy roots, there’s still no denying the appeal of doing ‘The Time Warp’ again. After touring around the country, Australia’s 50th anniversary production of Rocky Horror has taken a jump to the left (and a step to the right) to land back at Sydney’s Theatre Royal, about a year after it premiered at the same venue in the same month as Sydney WorldPride, with a couple of notable cast changes this time. It appears that the time on the road has done this company a world of good; the cast take to the stage with a more relaxed and playful energy as they tackle this risqué, silly, borderline-pantomime musical.  Former Australian of the Year and Paralympian Dylan Alcott is a delight to witness in his stage acting debut as The Narrator. With good humour, an ability to roll with the punches, and an injection of signature charm, Alcott nails the difficult-to-pin-down prerequisites to fill this role. The Narrator must be someone a